Suzanne Keen Dean of the College and Thomas H. Broadus Professor of English
Students may consult any dean. Dean Keen receives petitions concerning academic matters for the Committee on Courses and Degrees. Write to email@example.com. For petitions to the Faculty Executive Committee, please contact Dean Straughan in the Williams School.
Ph.D., Harvard University (1990)
M.A., Harvard University (1987)
A. M. in Creative Writing, Brown University (1986)
A. B., Brown University (1984)
Contemporary British fiction, Victorian novels, postcolonial literature, narrative theory, the novel in English, psychological approaches to literary study, digital humanities.
English 355—Studies in British Fiction after 1900. See also 356
English 351—World Fiction in English. Current syllabus: Postcolonial Mysteries, Crimes, and Detectives
English 350—Postcolonial Literature
English 299—Seminar for Prospective Majors: Detective Fiction
English 292—Remembering the Great War (ST 2015)
English 232—The Novel. See also 207.
Writing 100—First Year Writing Seminar: Schools of Magic
Seminar and Capstone Topics
Margaret Atwood and Human Rights Discourse
Reading James Joyce's Ulysses
Charles Dickens and His Circle
Thomas Hardy, Novelist and Poet
Romancing the Archive
Studying Literature in Action
George Eliot and her Times
Philip Pullman and C. S. Lewis: Rival Canons
A Comic Novel Sequence: Powell's A Dance to the Music of Time
Bread Loaf School of English (Santa Fe, NM)
Books and edited journal issues
Contemporary Women's Writing, an Oxford University Press journal, co-edited with Kaye Mitchell. Current issue.
Narrative Form: Revised and Expanded Second Edition. Palgrave Macmillan, 2015. Details from the publisher.
Thomas Hardy's Brains: Psychology, Neurology, and Hardy's Imagination. The Theory and Interpretation of Narrative. Ohio State UP, 2014. Details from the publisher. Shortlisted for Phi Beta Kappa's Christian Gauss Award for Literary Scholarship or Criticism.
Co-editor with Monika Fludernik, Style special issue, Narrative Perspectives and Interior Spaces in Literature prior to 1850. Style 48.4 (2014).
Guest editor, Narrative and the Emotions (II). Poetics Today 32.2 (Summer 2011).
Guest editor, Narrative and the Emotions (I). Poetics Today 32.1 (Spring 2011).
Narrative Form. Palgrave, 2003.
Romances of the Archive in Contemporary British Fiction. U of Toronto P, 2001. Paperback edition, 2003.
Victorian Renovations of the Novel: Narrative Annexes and the Boundaries of Representation. Nineteenth-Century Literature and Culture 15. Ed. Gillian Beer and Catherine Gallagher. Cambridge UP, 1998. Paperback edition, 2005. NetLibrary information.
Selected Articles and Chapters
"Novels and Readers." The Cambridge Companion to the Novel. Ed. Eric Bulson. Cambridge UP, forthcoming in June 2018.
"The Recovery of Genre in Postmodern British Fiction: Return of the Romance." The Cambridge Companion to British Postmodernism. Ed. Bran Nicol. Cambridge UP, forthcoming in 2018.
"Empathy Studies." A Companion to Literary Theory. Ed David H. Richter. John Wiley & Sons, 2018, pp. 126-38.
“Narrative and the Embodied Reader.” The Edinburgh Companion to Narrative Theories. Ed. Zara Dinnen and Robyn Warhol. Edinburgh UP, 2018, pp. 43-55.
“Digital Humanities in the Teaching of Narrative.” Teaching Narrative. Teaching the New English series. Palgrave Macmillan, 2018.
“Probable Impossibilities: Historical Romance Readers Talk Back.” A response to a target essay by James Phelan. Style 52. 1-2 (2018).
"Affective Trollope: Marshaling the Feelings in Orley Farm." Routledge Research Companion to Trollope. Ed. Deborah Denenholz Morse, Margaret Marwick and Mark Turner. Routledge, 2017, pp. 166-76.
"Lifewriting and the Empathetic Circle." Concentric: Literary and Cultural Studies 42.2 (Sept. 2016): 9-26.
"Pivoting towards Empiricism: A Response to Fletcher and Monterosso." Narrative 24.1 (January 2016): 104-11.
“Intersectional Narratology in the Study of Narrative Empathy.” Narrative Theory Unbound: Queer and Feminist Interventions. Ed. Robyn Warhol and Susan Lanser. Theory and Interpretation of Narrative Series, Ohio State UP, 2015, pp. 123-46.
"Human Rights Discourse and Universals of Cognition and Emotion: Postcolonial Fiction." The Oxford Handbook of Cognitive Literary Studies. Ed. Lisa Zunshine. Oxford UP, 2015, pp. 347-65.
co-authored with Monika Fludernik. "Introduction: Narrative Perspectives and Interior Spaces in Literature prior to 1850." Style 48.4 (winter 2014). 453-60.
"Interior Description and Perspective in Deloney and Bunyan." Narrative Perspectives and Interior Spaces in Literature prior to 1850. Style 48.4 (winter 2014): 496-512.
"Novel Readers and the Empathetic Angel of our Nature." Rethinking Empathy Through Literature. Ed. Meghan Marie Hammond and Sue J. Kim. Routledge Interdisciplinary Perspectives on Literature. Routledge, 2014, pp. 21-33.
"Narrative Empathy." Handbook of Narratology, 2nd. ed., 2 vol. Ed. Peter Hühn, Jan Christoph Meister, John Pier. Berlin: DeGruyter, 2014. Vol. 2., pp. 521-30.
"Empathy in Reading: Considerations of Gender and Ethnicity." Focus on Reception and Reader Response, Ed. Rüdiger Ahrens and Heinz Antor. Anglistik: International Journal of English Studies 24.2 (2013): 49-65.
"Personnage et tempérament: l'empathie narrative et les theories du personage." Empathie. Ed. Alexandre Gefen. Paris: Éditions Hermann, 2013.
"Magical Values in Recent Romances of the Archive," Literature, Libraries, and Archives. Ed. Sas Mays. Routledge, 2013. 115-29.
"'Altruism' Makes a Space for Empathy, 1852." BRANCH: Britain, Representation and Nineteenth-Century History. Ed. Dino Franco Felluga. Extension of Romanticism and Victorianism on the Net. Web. July 2012.
"Narrative Empathy." The Living Handbook of Narratology. Ed. Peter Hühn, et al. Hamburg: Hamburg UP. Web, 2012.
Chapter 45, "The Series Novel: A Dominant Form." The Cambridge History of the English Novel. Ed. Robert Caserio and Clement C. Hawes. Cambridge UP, 2012, pp. 724-39.
"Response to Alan Palmer." Style 45.2 (Summer 2011): 357-9.
"Readers' Temperaments and Fictional Character." New Literary History 42.2 (Spring 2011): 295-314.
"Empathetic Hardy: Bounded, Ambassadorial, and Broadcast Strategies of Narrative Empathy." Poetics Today 32.2 (Summer 2011): 349-89.
"Introduction: Narrative and the Emotions." Poetics Today 32.1 (Spring 2011): 1-53.
"Fast Tracks to Narrative Empathy: Anthropomorphism and Dehumanization in Graphic Narratives." SubStance #124. 40.1 (2011): 135-55.
Review of Alan Richardson, The Neural Sublime and Blakey Vermeule, Why Do We Care about Literary Characters?, Eighteenth-Century Studies 44.4 (2011) 535-7.
"Narrative Empathy." Toward a Cognitive Theory of Narrative Acts. Ed. Frederick Aldama. Austin: U of Texas P, 2010, pp. 61-93.
"Psychological Approaches to Thomas Hardy." Ashgate Research Companion to Thomas Hardy. Ed. Rosemarie Morgan. Ashgate, 2010, pp. 285-300.
"The Undergraduate Literature Classroom." Teaching Narrative Theory. Eds. James Phelan, Brian McHale, and David Herman. MLA, 2010, pp. 19-32.
"Strategic Empathizing: Techniques of Bounded, Ambassadorial, and Broadcast Narrative Empathy." Deutsche Vierteljahrs Schrift 82.3 (Sept. 2008): 477-93; in German translation in an edited collection, Empathie und Erzählung. [Empathy and Narrative], ed. Claudia Breger and Fritz Breithaupt. Freiburg/Breisgau: Rombach, 2009.
"A Theory of Narrative Empathy." Narrative (Fall, 2006): 207-36.
"The Fantasy Man: The Strange Brilliance of John Crowley." Commonweal (11 August 2006): 13-16.
"The Historical Turn in British Fiction." Concise Companion to Contemporary British Fiction. Ed. James English. Blackwell, 2005, pp. 167-87.
"'I cannot eat my words but I do': Food, Body and Word in the Novels of Jeanette Winterson." Scenes of the Apple: Hunger and Appetite as Metaphor in Nineteenth- and Twentieth-Century Women's Writing. Ed. Tamar Heller and Patricia Moran. SUNY P, 2003, pp. 167-79.
"Introduction." Thomas Hardy's Far from the Madding Crowd. Signet, 2002, pp. vii-xvi.
"Quaker Dress, Sexuality, and the Domestication of Reform in the Victorian Novel." Victorian Literature and Culture 30.1 (2002): 211-36.
"The Risks of Enfranchisement: Reading Hardy's Mixen Lane." Norton Critical Edition of Thomas Hardy's The Mayor of Casterbridge. Ed. Philip Mallett. NY: Norton, 2000.
"The Condition of India: Hardyan and Trollopian Realism in Rohinton Mistry and Vikram Seth." Days to Recollect: Essays in Honour of Robert Schweik. Ed. Rosemarie Morgan. New Haven: The Hardy Association Press, 2000, pp. 31-40.
"Peter Ackroyd and Catholic England: At Present, Living in the Past." Catholic Writers Series. Commonweal (3 Nov. 2000): 14-19.
"Catching the Heart Off Guard: the Generous Vision of Seamus Heaney." Catholic Writers Series. Commonweal (17 May 1996): 10-14.
"Ironies and Inversions: The Art of Anthony Burgess." Commonweal (11 Feb. 1994): 9-12.
"Inescapable Responsibility." Michael S. Harper Special Issue. Callaloo 13.4 (Fall 1990): 815-816.
"Narrative Annexes in Charlotte Bronte's Shirley." Journal of Narrative Technique 20. 2 (Spring 1990): 107-119.
Poems in Agni, An Anniversary Collection of the Pawtucket Arts Council, The Anthology of New England Writers, Ararat, Chelsea, Clerestory, Colloquy, The Graham House Review, New and Selected: The Ohio Review Thirtieth Anniversary 1971-2001, Notus: New Writing,The Ohio Review, Quarterly West, Standing on the Verge: Emerging Poets and Artists (eds. Joseph Lease and Thomas Sayre Ellis), and Six Seasons Review (Bangladesh).
Generally Digital: Digital Humanities at Washington and Lee.
Timeline of Digital Humanities Initiative at Washington and Lee.
Academic Commons case study of Washington and Lee's Digital Humanities Initiative.
After 30 June 2018
Please contact Dean Keen at Hamilton College, where she will serve as VPAA and Dean of Faculty. Her address there will be: Office of the Dean of Faculty, Buttrick Hall, Hamilton College, 198 College Hill Road, Clinton, NY 13323, and her office phone will be 315-859-4601. Her email address at Hamilton will be firstname.lastname@example.org.