Course Offerings

Winter 2018

See complete information about these courses in the course offerings database. For more information about a specific course, including course type, schedule and location, click on its title.

Arts of Colonial Latin America

ARTH 271 - Lepage, Andrea C.

A survey of the art and architecture of Latin America from the 16th through early-18th centuries, this course begins with an exploration of the art of Aztec and Inca before the arrival of Europeans. Classes then explore the cultural convergence that resulted from the conquest in the 16th century, focusing on the role of indigenous artists and traditions in the formation of early colonial culture. Later lectures consider the rise of nationalism and its effect on the arts.

Economic Globalization and Multinational Corporations

BUS 337 - Reiter, Sandra L. (Sandy)

This course focuses on the historical and present effects and issues of economic globalization, and the role of multinational corporations in a global economy. Topics covered may include: production, supply chain, technology, trade, finance, natural environment, labor, development, poverty and inequality, privatization of utilities, immigration, and state sovereignty. Emphasis is on understanding the costs and benefits of economic globalization and the role business plays in contributing to these outcomes.

Environmental and Natural Resource Economics

ECON 255 - Casey, James F. (Jim)

The course serves as an introduction to environmental and natural resource economics. Economic principles are used to evaluate public and private decision making involving the management and use of environmental and natural resources. Aspects pertaining to fisheries, forests, species diversity, agriculture, and various policies to reduce air, water and toxic pollution will be discussed. Lectures, reading assignments, discussions and exams will emphasize the use of microeconomic analysis for managing and dealing with environmental and natural resource problems and issues.

Modern Latin America: Túpak Katari to Tupac Shakur

HIST 131 - Gildner, Robert M. (Matt)

A survey of Latin America from the 1781 anticolonial rebellion led by indigenous insurgent Túpak Katari to a globalized present in which Latin American youth listen to Tupac Shakur yet know little of his namesake. Lectures are organized thematically (culture, society, economics, and politics) and chronologically, surveying the historical formation of people and nations in Latin America. Individual countries (especially Argentina, Brazil, Cuba, Mexico, and Peru) provide examples of how local and transnational forces have shaped the Spanish- and Portuguese-speaking countries of North and South America and the Caribbean, and the cultural distinctions and ethnic diversity that characterize a region too often misperceived as homogeneous.

Topics in United States, Latin American or Canadian History

HIST 269D - Gildner, Robert M. (Matt)

A course offered from time to time, depending on student interest and staff availability, on a selected topic or problem in United States, Latin American or Canadian history. May be repeated for degree credit if the topics are different.

Seminar: Slavery in the Americas

HIST 366 - DeLaney, Theodore C., Jr. (Ted)

An intensive examination of slavery, abolition movements and emancipation in North America, the Caribbean and Latin America. Emphasis is on the use of primary sources and class discussion of assigned readings.

Capstone Seminar in Latin American and Caribbean Studies

LACS 396 - Michelson, Seth R.

This capstone course builds upon the foundations developed in LACS 101 and related coursework in the distribution areas. Students discuss assigned readings centered around a key theme or themes of Latin American Studies in connection with an individualized research project. This project is carried out with continual mentoring by a faculty member and in collaboration with peer feedback. Each student presents his/her findings in a formal paper, or other approved end-product, and summarizes the results in an oral presentation.

Interdisciplinary Research

LACS 423 - Michelson, Seth R.

Independent research into a topic centered within Latin America or the Caribbean, directed by two or more faculty representing at least two disciplines. Students are expected to share their work with the public through a public presentation.

LACS Practicum

LACS 451 - Barnett, Jeffrey C. (Jeff)

Supervised experience in a Latin American or Caribbean setting (including domestic U.S.),  such as an agency, research organization, or other venue that offers insight into Latin American and Caribbean issues. Requires at least 16 work hours over no fewer than four weeks and a research report in addition to the off-campus activities. May be carried out during the summer. May be repeated for credit when the setting is different. Offered when interest is expressed and LACS faculty can accommodate.

Accelerated Intermediate Portuguese

PORT 163 - Pinto-Bailey, Ana C. (Cristina)

This course develops intermediate communicative Portuguese vocabulary and active intermediate competence in the language. The traditional skills of foreign language instruction (structure, listening comprehension, reading, writing, and speaking) are stressed. This course meets five days per week.

Neighborhoods, Culture, and Poverty

SOAN 266 - Eastwood, Jonathan R. (Jon)

This course examines social-scientific research on the determinants of poverty, crime, and ill health by focusing on neighborhoods as the sites where many of the mechanisms impacting these outcomes operate. In addition to engaging with key readings and participating in seminar discussions, students conduct their own exploratory analyses of neighborhood level processes using a variety of spatial data analysis tools in R.

Spanish-American Civilization and Culture

SPAN 212 - Botta, Monica B.

A survey of significant developments in Spanish-American civilizations. The course addresses Spanish-American heritage and the present-day cultural patterns formed by its legacies. Readings, discussions and papers primarily in Spanish for further development of communication skills.

Introducción a la literatura hispanoamericana

SPAN 240 - Michelson, Seth R.

Spanish-American literary masterpieces from colonial times through the present. Readings and discussions are primarily in Spanish.

Spanish-American Narrative: The Boom Generation

SPAN 342 - Barnett, Jeffrey C. (Jeff)

Readings in the contemporary Spanish-American narrative of the second half of the 20th century with special emphasis on the members of the "Boom" generation, such as Rulfo, Fuentes, García Márquez, Vargas Llosa, Carpentier, and Puig. In addition to short narrative pieces, the readings include El Tunel (Ernesto Sábato), El Amor y Otros Demonios (García Márquez), Aura (Carlos Fuentes), Los Pasos Perdidos (Carpentier), and Casa de Los Espiritus (Allende). The class meets once a week for three hours so that we may maximize our time with each novel.

Fall 2017

See complete information about these courses in the course offerings database. For more information about a specific course, including course type, schedule and location, click on its title.

Arts of Mesoamerica and the Andes

ARTH 170 - Lepage, Andrea C.

Survey of the art and architecture of Mesoamerica and the Andes before the arrival of the Europeans, with a focus on indigenous civilizations including the Olmec, Maya, Aztec, and Inca. Art is contextualized in terms of religious, social, political, and economic developments in each region under discussion. The class includes a trip to the Virginia Museum of fine Arts in Richmond.

Border Art: Contemporary Chicanx and U.S. Latinx Art

ARTH 378 - Lepage, Andrea C.

This seminar engages broad-ranging debates that have looked at the Mexico-US border as a fruitful site of identity formation. In this seminar, we examine artworks with an emphasis on location, critical standpoint, interrelatedness, and the geopolitics of identity. Through readings and class discussions, students investigate protest art and arts activism, and develop methods of "critical seeing" through image analysis, art historical analysis, and cultural critique. We explore how structures of creating, organizing, and explaining knowledge, discursive practices, and forms of representation have been employed to dismiss and delimit US Latinx art. We consider artworks produced by Chicanx, U.S. Latinx, and other transnational artists in a wide range of formats including printmaking, performance art, mural painting, photography, film and video, books, comics, public art projects, and an array of post-conceptual practices.

Introduction to Latin American and Caribbean Studies

LACS 101 - Michelson, Seth R.

A multidisciplinary, introductory course designed to familiarize students with the pertinent issues that determine or affect the concept of identity in Latin American and Caribbean societies through a study of their geography, history, politics, economics, literature, and culture. The purpose of the course is to provide a framework or overview to enhance understanding in the students' future courses in particular disciplines and specific areas of Latin American and Caribbean study.

Introducción a la literatura hispanoamericana

SPAN 240 - Barnett, Jeffrey C. (Jeff)

Spanish-American literary masterpieces from colonial times through the present. Readings and discussions are primarily in Spanish.

Spanish-American Poetry

SPAN 344 - Michelson, Seth R.

Analysis of the most relevant poetic texts of Spanish-America, including U.S. Hispanic poetry, beginning with precursors of 20th-century poetry and spanning to contemporary works. Representative works include those by Octavio Paz, Gabriela Mistral, Pablo Neruda, Nicanor Parra, Ernesto Cardenal, Raúl Zurita, among others.

Spanish-American Seminar

SPAN 398A - Botta, Monica B.

A seminar focusing on a single period, genre, motif, or writer. Recent topics have included "Spanish American Women Writers: From America into the 21st Century," "20th Century Latin America Theater," and "Past, Memory, and Identity in Contemporary Argentina's Cultural Products." May be repeated for degree credit if the topics are different.

Fall 2017, SPAN 398A-01: Spanish-American Seminar: Fictions of Self-Representation (3).  Prerequisites: SPAN 240 and 275. An examination of forms of self-representation through the reading of literary and non-literary works. In addition to conceptual discussions of how artists use fictionalized forms of self-portraiture in diverse Latin-American contexts, we pay special attention to issues of subjectivity, self-empowerment, authority, and reader recognition, among others. Primary texts focus mainly on the 19th and 20th centuries. (HL) Botta.

Spring 2017

See complete information about these courses in the course offerings database. For more information about a specific course, including course type, schedule and location, click on its title.

Chicana/o Art and Muralism: From the Street to the (Staniar) Gallery

ARTH 276 - Lepage, Andrea C.

This class examines the process by which Chicana/o artists have garnered public attention and respect, and have taken their artworks from the peripheries of the art world to more traditional museum and gallery spaces. Using the Great Wall of Los Angeles as a connecting thread, this class considers the broad theme of identity creation and transformation as expressed by Chicana/o artists from the 1970s to the present.