Course Offerings

Fall 2017

See complete information about these courses in the course offerings database. For more information about a specific course, including course type, schedule and location, click on its title.

Arts of Mesoamerica and the Andes

ARTH 170 - Lepage, Andrea C.

Survey of the art and architecture of Mesoamerica and the Andes before the arrival of the Europeans, with a focus on indigenous civilizations including the Olmec, Maya, Aztec, and Inca. Art is contextualized in terms of religious, social, political, and economic developments in each region under discussion. The class includes a trip to the Virginia Museum of fine Arts in Richmond.

Border Art: Contemporary Chicanx and U.S. Latinx Art

ARTH 378 - Lepage, Andrea C.

This seminar engages broad-ranging debates that have looked at the Mexico-US border as a fruitful site of identity formation. In this seminar, we examine artworks with an emphasis on location, critical standpoint, interrelatedness, and the geopolitics of identity. Through readings and class discussions, students investigate protest art and arts activism, and develop methods of "critical seeing" through image analysis, art historical analysis, and cultural critique. We explore how structures of creating, organizing, and explaining knowledge, discursive practices, and forms of representation have been employed to dismiss and delimit US Latinx art. We consider artworks produced by Chicanx, U.S. Latinx, and other transnational artists in a wide range of formats including printmaking, performance art, mural painting, photography, film and video, books, comics, public art projects, and an array of post-conceptual practices.

Introduction to Latin American and Caribbean Studies

LACS 101 - Michelson, Seth R.

A multidisciplinary, introductory course designed to familiarize students with the pertinent issues that determine or affect the concept of identity in Latin American and Caribbean societies through a study of their geography, history, politics, economics, literature, and culture. The purpose of the course is to provide a framework or overview to enhance understanding in the students' future courses in particular disciplines and specific areas of Latin American and Caribbean study.

Introducción a la literatura hispanoamericana

SPAN 240 - Barnett, Jeffrey C. (Jeff)

Spanish-American literary masterpieces from colonial times through the present. Readings and discussions are primarily in Spanish.

Spanish-American Poetry

SPAN 344 - Michelson, Seth R.

Analysis of the most relevant poetic texts of Spanish-America, including U.S. Hispanic poetry, beginning with precursors of 20th-century poetry and spanning to contemporary works. Representative works include those by Octavio Paz, Gabriela Mistral, Pablo Neruda, Nicanor Parra, Ernesto Cardenal, Raúl Zurita, among others.

Spanish-American Seminar

SPAN 398A - Botta, Monica B.

A seminar focusing on a single period, genre, motif, or writer. Recent topics have included "Spanish American Women Writers: From America into the 21st Century," "20th Century Latin America Theater," and "Past, Memory, and Identity in Contemporary Argentina's Cultural Products." May be repeated for degree credit if the topics are different.

Fall 2017, SPAN 398A-01: Spanish-American Seminar: Fictions of Self-Representation (3).  Prerequisites: SPAN 240 and 275. An examination of forms of self-representation through the reading of literary and non-literary works. In addition to conceptual discussions of how artists use fictionalized forms of self-portraiture in diverse Latin-American contexts, we pay special attention to issues of subjectivity, self-empowerment, authority, and reader recognition, among others. Primary texts focus mainly on the 19th and 20th centuries. (HL) Botta.

Spring 2017

See complete information about these courses in the course offerings database. For more information about a specific course, including course type, schedule and location, click on its title.

Chicana/o Art and Muralism: From the Street to the (Staniar) Gallery

ARTH 276 - Lepage, Andrea C.

This class examines the process by which Chicana/o artists have garnered public attention and respect, and have taken their artworks from the peripheries of the art world to more traditional museum and gallery spaces. Using the Great Wall of Los Angeles as a connecting thread, this class considers the broad theme of identity creation and transformation as expressed by Chicana/o artists from the 1970s to the present.

Winter 2017

See complete information about these courses in the course offerings database. For more information about a specific course, including course type, schedule and location, click on its title.

Economic Globalization and Multinational Corporations

BUS 337 - Reiter, Sandra L. (Sandy)

This course focuses on the historical and present effects and issues of economic globalization, and the role of multinational corporations in a global economy. Topics covered may include: production, supply chain, technology, trade, finance, natural environment, labor, development, poverty and inequality, privatization of utilities, immigration, and state sovereignty. Emphasis is on understanding the costs and benefits of economic globalization and the role business plays in contributing to these outcomes.

Modern Latin America: Túpak Katari to Tupac Shakur

HIST 131 - Gildner, Robert M. (Matt)

A survey of Latin America from the 1781 anticolonial rebellion led by indigenous insurgent Túpak Katari to a globalized present in which Latin American youth listen to Tupac Shakur yet know little of his namesake. Lectures are organized thematically (culture, society, economics, and politics) and chronologically, surveying the historical formation of people and nations in Latin America. Individual countries (especially Argentina, Brazil, Cuba, Mexico, and Peru) provide examples of how local and transnational forces have shaped the Spanish- and Portuguese-speaking countries of North and South America and the Caribbean, and the cultural distinctions and ethnic diversity that characterize a region too often misperceived as homogeneous.

Seminar: Revolutions in Latin America

HIST 337 - Gildner, Robert M. (Matt)

Detailed analysis of 20th-century revolutionary movements in Latin America. Examines historical power struggles, social reforms, and major political changes, with in-depth exploration of Mexico, Bolivia, Cuba, Peru, Chile, and Nicaragua. Explores the social movements and ideologies of under-represented historical actors, such as peasants, guerrillas, artists, workers, women, students, and indigenous people.

Capstone Seminar in Latin American and Caribbean Studies

LACS 396 - Barnett, Jeffrey C. (Jeff)

This capstone course builds upon the foundations developed in LACS 101 and related coursework in the distribution areas. Students discuss assigned readings centered around a key theme or themes of Latin American Studies in connection with an individualized research project. This project is carried out with continual mentoring by a faculty member and in collaboration with peer feedback. Each student presents his/her findings in a formal paper, or other approved end-product, and summarizes the results in an oral presentation.

Accelerated Intermediate Portuguese

PORT 163 - Pinto-Bailey, Ana C. (Cristina)

This course develops intermediate communicative Portuguese vocabulary and active intermediate competence in the language. The traditional skills of foreign language instruction (structure, listening comprehension, reading, writing, and speaking) are stressed. This course meets five days per week.

Spanish-American Civilization and Culture

SPAN 212 - Botta, Monica B.

A survey of significant developments in Spanish-American civilizations. The course addresses Spanish-American heritage and the present-day cultural patterns formed by its legacies. Readings, discussions and papers primarily in Spanish for further development of communication skills.

Introducción a la literatura hispanoamericana

SPAN 240 - Pinto-Bailey, Ana C. (Cristina)

Spanish-American literary masterpieces from colonial times through the present. Readings and discussions are primarily in Spanish.

Introducción a la literatura hispanoamericana

SPAN 240 - Barnett, Jeffrey C. (Jeff)

Spanish-American literary masterpieces from colonial times through the present. Readings and discussions are primarily in Spanish.

Spanish-American Theater: 20th Century to the Present

SPAN 354 - Botta, Monica B.

This course provides a panoramic view of the theatrical traditions that have emerged in Spanish-American theater, beginning with the independent theater movement of the 1930s and concluding with the most recent trends in theatrical practices. In particular, the plays are studied as vehicles that reveal how theater practitioners engaged with their historical and cultural contexts in aesthetic terms. Therefore, the focus is also on the plays as performative texts. In order to develop this objective, students are expected to read, discuss, and analyze the dramatic texts, as well as perform scenes from the plays. This course includes works from playwrights such us Arlt, Triana, Diaz, Gambaro, Carballido, Castellanos, and Berman, among others. In addition, we study the political and aesthetic theories of theater developed by Enrique Buenaventura and Augusto Boal.