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Washington and Lee University

Washington and Lee University
Washington and Lee University Campus Image

Katie Chenoweth

Assistant Professor of French

Tucker Hall 315
(540) 458-8817
chenowethk@wlu.edu

Education

Ph.D., Brown University

M.A., Brown University

B.A., Wesleyan University

Research

  • Renaissance Literature and Culture
  • Film and Media Studies
  • Critical Theory 
  • History of the French Language
  • Media History

Teaching

  • Les Essais de Montaigne
  • The Uncanny in French Film and Literature
  • The Early Film Experience
  • Intermediate French I & II
  • Advanced Intermediate French
  • Advanced French: Conversation and Composition
  • Introduction to Literary Analysis

Selected Publications

  • "The Force of a Law: Derrida, Montaigne, and the Edict of Villers-Cotterêts," The Comparatist, vol. 36, 2012.
  • "Montaigne's Touch of French," Montaigne Studies vol. XXIV, 2012.
  • Review of Jacques Peletier du Mans, Oeuvres complètes. Tome 1. L'Art Poétique d'Horace traduit en vers françois. L'Art Poétique departi an deus livres. In Sixteenth-Century Journal (Forthcoming, 2012).
  • Review of Alain Legros, Montaigne Manuscrit. In Renaissance Quarterly 64. 2, 2011.
  • Review of Carine Skupien Dekens, Traduire Pour le Peuple de Dieu: La Syntaxe française dans la traduction de la Bible par Sébastien Castellion, 1555. In Sixteenth-Century Journal 42.3, 2011.
  • "Babel-babil." In Le Dictionnaire de Michel de Montaigne, ed. Philippe Desan. Honoré Champion, 2007.

Work in Progress

My current book project, The Prosthetic Tongue: Rewriting the French Vernacular, 1529-1592, suggests that major technological, political, poetic, and grammatical changes to the French idiom during the 16th century created a new kind of language for French writers: an uncanny "prosthetic" tongue--rather than a comfortable or comforting "mother" tongue--that was identified as "natural" while also becoming increasingly mediated by social and symbolic forces.

I am also at work on articles on Jacques Peletier, Joachim Du Bellay, Jacques Derrida, and Jean-Luc Godard.